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habitual desires, fears, and anxieties, embarrassed perceptions and guilty pleasures

  • 1.  habitual desires, fears, and anxieties, embarrassed perceptions and guilty pleasures

    Posted 02-12-2002 06:50
    Today's Chronicle of Higher Education Online in its regular column
    "MAGAZINES & JOURNALS" has the following overview of an article whose
    url I provide at the end. Sometimes we are too much in the silo of our
    own discipline. It is great when someone in another discipline meets us
    and provides the freshness of a view of management issues through the
    prism of discipline in the humanities or natural sciences. In this
    spirit I share this.

    From the CHE:
    A glance at the January-February issue of "PMLA":
    Sweatshops, intellectuals, and literature
    Bruce Robbins, a visiting professor in the department of English
    at Columbia University, uses a passage from David Lodge's "Nice
    Work," a "New Yorker" cartoon by Roz Chast, and the philosophy
    of Kant to introduce us to what he terms "the sweatshop
    sublime." According to Mr. Robbins, the phrase describes a kind
    of momentary revelation where one perceives the social whole,
    "the outer reaches of a world economic system," which is
    "accompanied by a surge of power" (although a power that gives
    one no means of action), and finally a sudden return to
    "everyday smallness."
    For Mr. Robbins, the sweatshop sublime becomes a tool for which
    "intellectuals contemplating nonintellectuals" can "calibrate
    more accurately the responsibilities that do and do not attach
    to working in and around the humanities." He argues that any
    organized movement toward social equality will not emerge from a
    sudden mass rationalization; instead the force of change will
    "happen as an outgrowth of habitual desires, fears, and
    anxieties, embarrassed perceptions and guilty pleasures," the
    emotions that accompany the revelation.
    Mr. Robbins points to the character of Dorothea in George
    Eliot's "Middlemarch," along with excerpts from Eliot's critics,
    to explore the concept of social action. "Like those in the
    antisweatshop movement," writes Mr. Robbins, Dorothea "feels
    with a jolt her place in the 'involuntary, palpitating' world of
    labor around her, resolves to do something, and does."
    He also closely examines and evaluates the contemporary
    discussion of the division of labor, looking at the writings of
    Randy Shaw, Barbara Ehrenreich, Naomi Klein, Fredric Jameson,
    and Gayatri Chakravorty Spivak. From his analysis, he concludes
    that the inescapable "sinking back into ourselves" of the
    sweatshop sublime "confirms the emotional satisfaction we derive
    from intellectual work in all its lonely specificity, the slow
    and patient labor of filling in the steps, analytically and
    politically, between the perceptual and emotional jolt and the
    outlet in action that may or may not be found to suit it."
    --------------

    I was intrigued and found on the web an earlier version of this
    paper at:
    http://140.115.95.15/graduate/The%20Sweatshop%20Sublime.rtf
    Cybercollaborating,
    Charles Wankel
    Mg-Ed-Dv List Director